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Hang with WinnersTalk with anyone who plays tennis and they’ll tell you that in order to improve their game, they have to play against players who are better than they are. Tennis players are ranked on a numeric scale, I’m a 3.0 so I like to play against 3.5 or 4.0 players. In doing so, I like to think my game will improve.

The same is true for photographers. Attend any gathering of photographers and there will always be the bunch of “grumpy old guys” in the corner talking about how things “used to be” and hoping those good old days will come back. Fact is, they won’t. Get as far away from that gang as possible, they’ll only bring you down.

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Do It NowAs I was growing up, I heard that again and again from my dad. What he was really saying was that I should stop over-thinking whatever it was I was planning on and just start the project. In other words, I was suffering “analysis paralysis.”

From Wikipedia: Analysis paralysis describes a situation where the opportunity cost of decision analysis exceeds the benefits that could be gained by enacting some decision, or an informal or non-deterministic situation where the sheer quantity of analysis overwhelms the decision-making process itself, thus preventing a decision.

Photographers suffer analysis paralysis when putting together a portfolio or redesigning their websites. They continue to wait until they get more samples, do more testing, get an consultant to help them edit their images, have a logo designed, write copy tweaked for SEO, and the list of excuses goes on and on.

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Frog in hot waterThey say that if a frog is placed in boiling water, it will jump out, but if it is placed in cold water that is slowly heated, it will not perceive the danger and will be cooked to death. It’s a metaphor that speaks to the inability of people to react to significant changes that occur gradually.

Of course change in photography has been going on since it was invented, but I can remember when the “water first started to warm” for me. It was when I was handed a Kodak NC2000 in the early 1990′s to photograph a Presidential debate in Lansing, Michigan for the Associated Press. It was the start of digital photography for me. (Rob Galbraith has an excellent essay on the NC2000 here.)

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Almost everyone knows LinkedIn is the social marketing tool most used by business. Some photographers even scoff at Facebook, saying it’s only good for personal interactions and so on.

On one of the forums I read daily, a photographer mentioned that he’d just spoke with a new marketing manager from an old client firm. The firm’s lawyers, are working on a firm-wide universal master contract to use with photographers. The client mentioned that they must be able to use the photos on Facebook, and other “social media”. The photographer asked, “Can any of you help with a few 30-sec sound bites that will alert her to potential dangers?”

From my perspective, if his images were watermarked, and as often as possible he was given a link to his site adjacent to the image, I saw no “dangers” in jumping into social media.

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I am strangely saddened tonight after learning that Steve Jobs has passed away. Perhaps it is because he and I are close in age and it’s a reminder of just how important each day is. Or perhaps it is because I am humbled by his achievements. Someone more eloquent than I tweeted just a short time ago: “Countless people are learning Steve Jobs died on devices that would not exist without his vision. That’s a legacy.”

Below is the text of the Commencement address he delivered on June 12, 2005 at Stanford University. (If you’d rather watch the full-length video, click here.) I’ve seen it before, several times in fact, but watching it now, it affects me in an entirely different way. In any case, he will always inspire me. These three sentences are the ones that have stayed with me from the first time I heard the speech: “And most important, have the courage to follow your heart and intuition. They somehow already know what you truly want to become. Everything else is secondary.”

Rest in peace Steve Jobs.

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On one of the professional forums I read daily, there is a conversation about the lousy state of the industry, how clients are hiring based only on price, how protecting one’s intellectual property rights has cost clients, how competitors are charging less and giving more, and blah, blah, blah. It’s the usual bitching and moaning that happens in any economic downturn when photographers: 1) are selling a product that a buyer can obtain elsewhere for less; or 2) are inadequately conveying their value-add to their clients; or 3) have clients that don’t care about the additional “value” the photographer adds to a project.

Michael Albany, a Philadelphia photographer specializing in architecture and portrait photography offered up some valuable insight that I think can help to inspire other photographers. He wrote:

I totally understand the fact that the old grey mare ain’t what she used to be and that our industry is A) in a total state of flux, and B) that the market is becoming saturated with too many Uncle Bobs but I have to say that I am so tired of hearing people whine about it. So you want to charge less or leave ASMP because they don’t [fit] your agenda, bye. Have a nice day.

I joined ASMP to learn and to grow and guess what, I am. Is it the end all to be all? Nope. Is my photography business where I want it to be? Well if you don’t know my name then no, it’s not. Is it growing? Yes.

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Negotiating for PhotographersThis essay originally appeared in the handbook given to attendees of the American Society of Media Photographers‘ (ASMP) very successful Strictly Business three-day conference series earlier this year. The essay is reprinted here in its entirety. (ASMP’s updated-daily “Strictly Business” blog is another great resource for photographers.)

Selling and Negotiating.  The words strike fear into almost every creative person I’ve met.  As creatives in the photography business, we love to take pictures and have a strong desire to satisfy our clients.  The selling process, by its very nature, involves give and take, and at some point along the way, we’re likely to not give the client (or potential client) everything he or she wants. And, keep in mind that sometimes we won’t get everything that we want. That’s negotiating.

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Last month I had an opportunity to do an interview in the form of a webinar with Photoshelter co-founder Grover Sanschagrin on the topic of negotiating. He asked great questions and at the end of about 45 minutes the listening audience of more than 1,000 photographers was invited to submit questions. It was my first webinar and judging from the feedback, I think it went well. If you have questions, please ask them in the comments and we’ll get a dialogue going. Thanks for watching!

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(Written by Detroit People Photographer Blake J. Discher)

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